1. The Point at Which My Wife Enters a Poem about the National Geographic Cover Story (November 2009) “Are We Alone?”, Albert Goldbarth

    notearintheeye:

    —by which it doesn’t mean in the bedroom or dining room, 
    but the universe. The answer is a demi-hopeful 
    "possibly not," although whatever other life exists 
    Out There in the pettipoint billions of planet possibilities might be 
    no more than a gelid smear that quivers in light 
    and quiets in the darkness, or a philosophically minded gas. 
    We’ve come far, from the need to see our Terran selves 
    as singular—as “God’s elect,” and central in His cosmos— 
    to a people simply hungry for companionship and, naturally, curious 
    about our neighbors … even if by neighbors I mean 
    theoretical beings twenty light-years off in space. That’s 
    the distance of Gliese 581d and Gliese 581e: is that where life is, 
    liquid and almost-familiar? Something swimming with electrical vim 
    and means of reproduction in an alien 
    but not-so-alien H20? The planet with atmosphere 
    trailing behind it cometlike, a bridal gown with the train on fire…. 
    The planet with acetylene lakes…. 
    The planet entirely surfaced-over by ever-melting rock…. 
    Is there life on Fomalhaut 6?—is that where life is, 
    viral, spiral, flippering over in salty waves, not unlike 
    the elephant seal on page 76 of this same issue, 
    who stares at the National Geographic camera 
    with his own biocular sense of the world, his own 
    mammalian alien-but-not-so-alien consciousness…. Page 95 
    begins a series of striking full-page portraits 
    of the Hadza, a Tasmanian hunter-gatherer tribe 
    whose Earth both is and isn’t mine…. “A hunting knife 
    is strapped to his hip, in a sheath of dik-dik hide…. 
    He can converse with a honeyguide bird 
    (they whistle back and forth) and so is led directly 
    to a teeming beehive…. He sits cross-legged at his fire 
    and eats the baboon’s cheeks, the eyeballs, 
    the neck meat, the forehead skin…. The men 
    tell campfire stories, the women sing … ” and this 
    is the point at which my wife enters the poem 
    from a day of teaching and then a quickie stop at Town East Mall, 
    her body the same percentage of water as mine 
    and her invisible halo of oxygen-carbon-in-and-out-accordion-squeeze 
    a thriving aura of colleagues and students 
    and stoplights and Twitters and crazyass dreams 
    I understand and I don’t understand, and at night 
    (the man is typing, the woman is singing in her bath) 
    I want companionship so much, if it’s there, if I can find it 
    orbiting me in bed, if I can see it … 
    think I see it … and then it slips away for a moment; 
    now it’s here again; and now it dims and ducks and slips away …. 
    But then, “planet” means ”wanderer.”

  2. Library by Albert Goldbarth

    whenwetalkaboutlove:

    This book saved my life.
    This book takes place on one of the two small tagalong moons of Mars.
    This book requests its author’s absolution, centuries after his death.
    This book required two of the sultan’s largest royal elephants to bear it;
    this other book fit in a gourd.
    This book reveals The Secret Name of God, and so its author is on a death
    list.
    This is the book I lifted high over my head, intending to smash a roach in
    my girlfriend’s bedroom; instead, my back unsprung, and I toppled
    painfully into her bed, where I stayed motionless for eight days.
    This is a “book.” That is, an audio cassette. This other “book” is a screen
    and a microchip. This other “book,” the sky.
    In chapter three of this book, a woman tries explaining her husband’s
    tragically humiliating death to their daughter: reading it is like walking
    through a wall of setting cement.
    This book taught me everything about sex.
    This book is plagiarized.
    This book is transparent; this book is a codex in Aztec; this book, written
    by a prisoner, in dung; the wind is turning the leaves of this book: a
    hill-top olive as thick as a Russian novel.
    This book is a vivisected frog, and ova its text.
    This book was dictated by Al-Méllikah, the Planetary Spirit of the Seventh
    Realm, to his intermediary on Earth (the Nineteenth Realm), who
    published it, first in mimeograph, and many editions later in gold-
    stamped leather.
    This book taught me everything wrong about sex.


    This book poured its colors into my childhood so strongly, they remain a
    dye in my imagination today.
    This book is by a poet who makes me sick.
    This is the first book in the world.
    This is a photograph from Viet Nam, titled “Buddhist nuns copying
    scholarly Buddhist texts in the pagoda.”
    This book smells like salami.
    This book is continued in volume two.
    He was driving — evidently by some elusive, interior radar, since he was
    busy reading a book propped on the steering wheel.
    This book picks on men.
    This is the split Red Sea: two heavy pages.
    In this book I underlined deimos, cabochon, pelagic, hegira. I wanted to use
    them.
    This book poured its bile into my childhood.
    This book defames women.
    This book was smuggled into the country one page at a time, in tiny pill
    containers, in hatbands, in the cracks of asses; sixty people risked their
    lives repeatedly over this one book.
    This book is nuts!!!
    This book cost more than a seven-story chalet in the Tall Oaks subdivision.
    This book — I don’t remember.
    This book is a hoax, and a damnable lie.
    This chapbook was set in type and printed by hand, by Larry Levis’s then-
    wife, the poet Marcia Southwick, in 1975. It’s 1997 now and Larry’s
    dead — too early, way too early — and this elliptical, heartbreaking poem
    (which is, in part, exactly about too early death) keeps speaking to me
    from its teal-green cover: the way they say the nails and the hair
    continue to grow in the grave.
    This book is two wings and a thorax the size of a sunflower seed.
    This book gave me a hard-on.
    This book is somewhere under those other books way over there.
    This book deflected a bullet.
    This book provided a vow I took.
    If they knew you owned this book, they’d come and get you; it wouldn’t
    be pretty.
    This book is a mask: its author isn’t anything like it.
    This book is by William Matthews, a wonderful poet, who died today, age
    55. Now Larry Levis has someone he can talk to.
    This book is an “airplane book” (but not about airplanes; meant to be read on
    an airplane; also, available every three steps in the airport). What does it
    mean, to “bust” a “block”?
    This is the book I pretended to read one day in the Perry-Castañeda Library
    browsing room, but really I was rapt in covert appreciation of someone
    in a slinky skirt that clung like kitchen plasticwrap. She squiggled near,
    and pointed to the book. “It’s upside-down,” she said.
    For the rest of the afternoon I was so flustered, that when I finally left the
    library… this is the book, with its strip of magnetic-code tape, that I
    absentmindedly walked with through the security arch on the first day of
    its installation, becoming the first (though unintentional) lightfingered
    lifter of books to trigger the Perry-Castañeda alarm, which hadn’t been
    fine-tuned as yet, and sounded even louder than the sirens I remember
    from grade school air raid drills, when the principal had us duck beneath
    our desks and cover our heads — as if gabled — with a book.
    The chemical formulae for photosynthesis: this book taught me that.
    And this book taught me what a “merkin” is.
    The cover of this book is fashioned from the tanned skin of a favorite slave.
    This book is inside a computer now.
    This “book” is made of knotted string; and this, of stone; and this, the gut
    of a sheep.
    This book existed in a dream of mine, and only there.
    This book is a talk-show paperback with shiny gold raised lettering on the
    cover. (Needless to say, not one by me.)
    This is a book of prohibitions; this other, a book of rowdy license. They
    serve equally to focus the prevalent chaos of our lives.
    This book is guarded around the clock by men in navy serge and golden
    braiding, carrying very capable guns.
    This is the book that destroyed a marriage. Take it, burn it, before it costs
    us more.
    This book is an intercom for God.
    This book I slammed against a wall.
    My niece wrote this book in crayon and glitter.
    This is the book (in a later paperback version) by which they recognized
    the sea-bleached, battered, and otherwise-unidentifiable body of Shelley.
    Shit: I forgot to send in the card, and now the Book Club has billed me
    twice for Synopses of 400 Little-Known Operas.
    This book is filled with sheep and rabbits, calmly promenading in their
    tartan vests and bowties, with their clay pipes, in their Easter Sunday
    salad-like hats. The hills are gently rounded. The sun is a clear firm
    yolk. The world will never be this sweetly welcoming again.
    This book is studded with gems that have the liquid depth of aperitifs.
    This book, 1,000 Wild Nights, is actually wired to give an electr/ YOWCH!
    This book I stole from Cornell University’s Olin Library in the spring of
    1976. Presumably, its meter’s still running. Presumably, it still longs for
    its Dewey’d place in the dim-lit stacks.
    This book has a bookplate reminding me, in Latin, to use my scant time well.
    It’s the last day of the semester. My students are waiting to sell their
    textbooks back to the campus store, like crazed racehorses barely
    restrained at the starting gate.
    This book caused a howl / a stir / a ruckus / an uproar.
    This book became a movie; they quickly raised the cover price.
    This book is the Key to the Mysteries.
    This book has a bookplate: a man and a woman have pretzeled themselves into one lubricious shape.
    This book came apart in my hands.
    This book is austere; it’s like holding a block of dry ice.
    This Bible is in Swahili.
    This book contains seemingly endless pages of calculus — it may as well be
    in Swahili.
    This is the book I pretended to read while Ellen’s lushly naked body
    darkened into sleep beside me. And this is the book I pretended to read
    in a waiting room, once, as a cardiac specialist razored into my father’s
    chest. And THIS book I pretended having read once, when I
    interviewed for a teaching position: “Oh yes,” I said, “of course,” and
    spewed a stream of my justly famous golden bullshit into the conference
    room.
    This book was signed by the author fifteen minutes before she died.
    This is Erhard Ratdolf’s edition of Johann Regiomontanus’s astronomical
    and astrological calendar (1476) — it contains “the first true title-page.”
    She snatched this book from a garbage can, just as Time was about to
    swallow it out of the visible world irrevocably. To this day, her
    grandchildren read it.
    This book: braille. This one: handmade paper, with threads of the poet’s
    own bathrobe as part of the book’s rag content. This one: the cover is
    hollowed glass, with a goldfish swimming around the title.
    This is my MFA thesis. Its title is Goldbarth’s MFA Thesis.
    This is the cookbook used by Madame Curie. It still faintly glows, seven
    decades later.
    This book is the shame of an entire nation.
    This book is one of fourteen matching volumes, like a dress parade.
    This is the book I’m writing now. It’s my best! (But where should I send
    it?)
    This book doesn’t do anyth / oh wow, check THIS out!
    This is the book I bought for my nephew, 101 Small Physics Experiments.
    Later he exchanged it for The Book of Twerps and Other Pukey Things, and
    who could blame him?
    This book is completely marred by the handiwork of the Druckfehlerteufel —
    "the imp who supplies the misprints."
    This book has a kind of aurora-like glory radiating from it. There should be
    versions of uranium detectors that register glory-units from books.
    We argued over this book in the days of the divorce. I kept it, she kept the
    stained glass window from Mike and Mimi.
    Yes, he was supposed to be on the 7:05 to Amsterdam. But he stayed at
    home, to finish this whodunit. And so he didn’t crash.
    This book has a browned corsage pressed in it. I picked up both for a dime
    at the Goodwill.
    "A diet of berries, vinegar, and goat’s milk" will eventually not only cure
    your cancer, but will allow a man to become impregnated (diagrams
    explain this) — also, there’s serious philosophy about Jews who control
    "the World Order," in this book.
    This book reads from right to left. This book comes with a small wooden
    top attached by a saffron ribbon. This book makes the sound of a lion, a
    train, or a cuckoo clock, depending on where you press its cover.
    I’ve always admired this title from 1481: The Myrrour of the Worlde.
    This book is from the 1950s; the jacket says it’s “a doozie.”
    This book is by me. I found it squealing piteously, poor piglet, in the back
    of a remainders bin. I took it home and nursed it.
    This book let me adventure with the Interplanetary Police.
    I threw myself, an aspirant, against the difficult theories this book
    propounded, until my spirit was bruised. I wasn’t any smarter — just
    bruised.
    This book is magic. There’s more inside it than outside.
    This is the copy of the Iliad that Alexander the Great took with him,
    always, on his expeditions — “in,” Thoreau says, “a precious casket.”
    Help! (thump) I’ve been stuck in this book all week and I don’t know how
    to get out! (thump)
    This is the book of poetry I read from at my wedding to Morgan. We were
    divorced. The book (Fred Chappell’s River) is still on my shelf, like an
    admonishment.
    This book is stapled (they’re rusted by now); this book, bound in buttery
    leather; this book’s pages are chemically-treated leaves; this book, the
    size of a peanut, is still complete with indicia and an illustrated colophon
    page.
    So tell me: out of what grim institution for the taste-deprived and the
    sensibility-challenged do they find the cover artists for these books?
    This book I tried to carry balanced on my head with seven others.
    This book I actually licked.
    This book — remember? I carved a large hole in its pages, a “how-to
    magazine for boys” said this would be a foolproof place to hide my
    secret treasures. Then I remembered I didn’t have any secret treasures
    worth hiding. Plus, I was down one book.
    This book is nothing but jackal crap; unfortunately, its royalties have paid
    for two Rolls-Royces and a mansion in the south of France.
    This book is said to have floated off the altar of the church, across the
    village square, and into the hut of a peasant woman in painful labor.
    This is what he was reading when he died. The jacket copy says it’s “a real
    page-turner — you can’t put it down!” I’m going to assume he’s in
    another world now, completing the story.
    This book hangs by a string in an outhouse, and every day it gets thinner.
    This book teaches you how to knit a carrying case for your rosary; this one,
    how to build a small but lethal incendiary device.
    This book has pop-up pages with moveable parts, intended to look like the
    factory room where pop-up books with moveable parts are made.
    If you don’t return that book I loaned you, I’m going to smash your face.
    This book says the famously saintly woman was really a ringtailed trash-
    mouth dirty-down bitch queen. Everyone’s reading it!
    There are stains in this book that carry a narrative greater than its text.
    The Case of _______How to _______. Books books books.
    I know great petulant stormy swatches and peaceful lulls of this book by
    heart.
    I was so excited, so jazzed up! — but shortly thereafter they found me
    asleep, over pages six and seven of this soporific book. (I won’t say by
    who.)
    And on her way back to her seat, she fell (the multiple sclerosis) and
    refused all offered assistance. Instead, she used her book she’d been
    reading from, as a prop, and worked herself pridefully back up to a
    standing position.
    They gave me this book for free at the airport. Its cover features an Indian
    god with the massive head of an elephant, as brightly blue as a druid,
    flinging flowers into the air and looking unsurpassably wise.
    My parents found this book in my bottom drawer, and spanked the living
    hell into my butt.
    This book of yours, you tell me, was optioned by Hollywood for eighty-
    five impossibajillion dollars? Oh. Congratulations.
    They lowered the esteemed and highly-published professor into his grave.
    A lot of silent weeping. A lot of elegiac rhetoric. And one man shaking
    his head in the chill December wind dumbfoundedly, who said, “And he
    perished anyway.”
    Although my 8th grade English teacher, Mrs. Hurd, always said “Whenever
    you open a book, remember: that author lives again.”
    After this book, there was no turning back.
    Around 1000 A.D., when the Magyars were being converted over to
    Christianity, Magyar children were forced to attend school for the first
    time in their cultural history: “therefore the Magyar word konyv means
    tears as well as book.”
    This book, from when I was five, its fuzzy ducklings, and my mother’s
    voice in the living room of the second-story apartment over the butcher
    shop on Division Street…. I’m fifty now. I’ve sought out, and I own
    now, one near-mint and two loose, yellowing copies that mean to me as
    much as the decorated gold masks and the torsos of marble meant to the
    excavators of Troy.
    This book is done.
    This book gave me a paper cut.
    This book set its mouth on my heart, and sucked a mottled tangle of blood
    to the surface.
    I open this book and smoke pours out, I open this book and a bad sleet
    slices my face, I open this book: brass knuckles, I open this book: the
    spiky scent of curry, I open this book and hands grab forcefully onto my
    hair as if in violent sex, I open this book: the wingbeat of a seraph, I
    open this book: the edgy cat-pain wailing of the damned thrusts up in a
    column as sturdy around as a giant redwood, I open this book: the travel
    of light, I open this book and it’s as damp as a wound, I open this book
    and I fall inside it farther than any physics, stickier than the jelly we
    scrape from cracked bones, cleaner than what we tell our children in the
    dark when they’re afraid to close their eyes at night.
    And this book can’t be written yet: its author isn’t born yet.
    This book is going to save the world.

  3. Emptying Town - Nick Flynn

    apromptdosage:

    I want to erase your footprints
    from my walls. Each pillow
    is thick with your reasons. Omens

    fill the sidewalk below my window: a woman
    in a party hat, clinging
    to a tin-foil balloon. Shadows

    creep slowly across the tar, someone yells, “Stop!”
    and I close my eyes. I can’t watch

    as this town slowly empties, leaving me
    strung between bon-voyages, like so many clothes
    on a line, the white handkerchief

    stuck in my throat. You know the way Jesus

    rips open his shirt
    to show us his heart, all flaming and thorny,
    the way he points to it. I’m afraid

    the way I’ll miss you will be this obvious.

    I have a friend who everyone warns me
    is dangerous, he hides
    bloody images of Jesus
    around my house, for me to find

    when I come home; Jesus
    behind the cupboard door, Jesus tucked

    into the mirror. He wants to save me
    but we disagree from what. My version of hell
    is someone ripping open his shirt

    and saying, Look what I did for you…

    - Nick Flynn

  4. April 15, 2014: Flying Low, Stephen Dunn →

    april-is:

    Flying Low
    Stephen Dunn

    For Jim Hollis

    As creations go, I don’t think the sky can be improved,
    burnished silver, bluish pink, northern lights and storms,
    its invitation to the universe, quantum and quark.
    But here, just the old numinous beauty of fog,
    the sun busting a gut behind it,…

  5. What the Heart Cannot Forget →

    breakthecitysky:

    Everything remembers something. The rock, its fiery bed,
    cooling and fissuring into cracked pieces, the rub
    of watery fingers along its edge.

    The cloud remembers being elephant, camel, giraffe,
    remembers being a veil over the face of the sun,
    gathering itself together for the fall.

    The…

  6. I’ll know the names of all of the birds
    and flowers, and not only that, I’ll
    tell you the name of the piano player
    I’m hearing right now on the kitchen
    radio, but I won’t be in the kitchen,

    I’ll be walking a street in
    New York or London, about
    to enter a coffee shop where people
    are reading or working on their
    laptops. They’ll look up and smile.

    Next time I won’t waste my heart
    on anger; I won’t care about
    being right. I’ll be willing to be
    wrong about everything and to
    concentrate on giving myself away.

    Next time, I’ll rush up to people I love,
    look into their eyes, and kiss them, quick.
    I’ll give everyone a poem I didn’t write,
    one specially chosen for that person.
    They’ll hold it up and see a new
    world. We’ll sing the morning in,

    and I will keep in touch with friends,
    writing long letters when I wake from
    a dream where they appear on the
    Orient Express. “Meet me in Istanbul,”
    I’ll say, and they will.

    — "Next Time," by Joyce Sutphen (via juliaccarpenter)

  7. briannadiane:

    Welcome Home, Son | Radical Face

    Sleep don’t visit, so I choke on sun
    And the days blur into one
    And the backs of my eyes hum with things I’ve never done

  8. archatlas:

    Monte Novo da Cruz [i]da arquitectos

    "Located on the Alentejo Coast, the Monte Novo da Cruz is a rural property strongly characterized by a gently undulating land with slopes sometimes relevant. The presence of a curtain of high trees along the south-eastern perimeter of the site and a dense vegetation near a south-western stream stand out in the landscape. In the centre of the property, in a high position, there is an old rural construction in an advanced state of degradation. The proposal for the Monte Novo da Cruz seeks to establish a contrast dialogue between the existing and the new building which sometimes merge with each other, creating a smooth transition between the past and the present. "

  9. "We died on the wrong page of the almanac"

    strangemagnetism:

    LOSSES


    It was not dying: everybody died.
    It was not dying: we had died before
    In the routine crashes - and our fields
    Called up the papers, wrote home to our folks,
    And the rates rose, all because of us.
    We died on the wrong page of the almanac,
    Scattered on mountains fifty miles away;
    Diving on haystacks, fighting with a friend,
    We blazed up on the lines we never saw.
    We died like aunts or pets or foreigners.
    (When we left high school nothing else had died
    For us to figure we had died like.)

    In our new planes, with our new crews, we bombed
    The ranges by the desert or the shore,
    Fired at towed targets, waited for our scores -
    And turned into replacements and woke up
    One morning, over England, operational.
    It wasn’t different: but if we died
    It was not an accident but a mistake
    (But an easy one for anyone to make).
    We read our mail and counted up our missions -
    In bombers named for girls, we burned
    The cities we had learned about in school-
    Till our lives wore out; our bodies lay among
    The people we had killed and never seen.
    When we lasted long enough they gave us medals;
    When we died they said, “Our casualties were low.”

    They said, “Here are the maps”; we burned the cities.

    It was not dying - no, not ever dying;
    But the night I died I dreamed that I was dead,
    And the cities said to me: “Why are you dying?
    We are satisfied, if you are; but why did I die?”


    - Randall jarrell